once you've completed the pre-camp checklist, reach out to brydon with any questions or concerns you have.
come to the camp prepared with hooks, song starts and ideas based on the information on the musical direction page, but don’t overthink it!
for producers only: check in with brydon asap to make sure you are bringing what you’re supposed to bring and we are providing what we’re supposed to provide.
come prepared spiritually, mentally, emotionally and physically to have a fun, spiritual, and transformational experience. no pressure at all, but you are welcome to join us in a group fast on wednesday, sep 16.
capture photos and videos during the camp
submit content to our awesome content team via shared album (we’ll share this with you at the camp).
commit now that you will fill out the post-camp survey that brydon will send out after the camp. 🙏
commit to participating as needed to finish demos. our goal is to finish everything during the camp, but there might be some things we need to finish up after the camp.
commit to checking this site before asking brydon anything lol (but seriously 🫠)
about Kwc
pleasy pretty read this page to understand a little bit more about the King will come
what we’re about
the King will come is a collective of humans seeking to create welcoming spaces through music where we can all seek deeper relationship with God, self and each other.
we believe each human is more complex than a single label. there are parts of us that are happy, parts that are hurting, parts that need healing, and parts that are scared, courageous, whole, broken, hiding, and free.
we seek to create honest music and experiences from all those parts of ourselves—reflecting the beauty, the mess, the struggle, and the joy of our relationships with God, self, and others.
musically we try to create a sound that bridges gaps between genres, cultures, and communities, blending top-40-quality production with an eclectic mix of pop, gospel, hip-hop, hymns, worship, ccm, latin, and beyond.
our mission is to show that no matter who we are, what we’ve done, where we’ve been or what we’re going through…the King will come.
cool things that we’ve had the chance to do
we’ve been blessed to achieve over 75 chart placements to date, including 15 weeks on the billboard hot Christian songs chart, peaking at #31. we've reached #7 on apple music’s today’s Christian hits chart, #84 on the united states itunes pop chart, and a spot in the top 100 on apple music’s today’s top hits playlist.
additional highlights include a #21 placement on apple music’s gospel flow playlist and features on every major spotify Christian editorial playlist. we’ve also collaborated with maverick city music and this year we placed top 5 in the 2026 npr tiny desk contest.
but probably the coolest thing we get to do is to host these writing camps and create magic with you. thanks again for being here. 🥹
camp goals
here are the goals we have for this camp.
musical direction
the palette of vision, vibes, topics and themes from which we shall create these garden slappers
a message from the garon
hi guys, garon here👋🏻
go with me on some of these lil idears, as cliche as some could sound.
God of the garden. what is this album? what are we here to write? what is it about?
short answer = you. you + your relationship with the Gardner.
it’s you, right where you’re at, where you’ve been and what you wake up every morning trying to grow to be. it’s your stories of growth as you’re buried and extend deeper into the dark and damp ground as well as grow out of that ground and bare, what you hope, is tasty fruit. it’s that relationship between you and the Gardner and what happens as the seed(you) is cultivated and how that can look pretty messy and beautiful, dark and colorful, and everywhere in-between.
take a garden, or a plant and what is the process it goes though throughout an entire year or life cycle? each season has a purpose and some are more difficult and seemingly painful for the plant, others are colorful and beautiful and vibrant. you could say this album is a collection of songs that represent the different stages that that growing thing goes through and, if it had a voice, what it would be saying or singing during those moments.
another visual is how a tree grows and pushes through the thick hard ground downward and outward while also growing upward. this duality of existence that is necessary for every growing thing that is alive, it’s need for water and sunlight and wind and pressure and tension. this album, if it was an image, would be a photo that is half underground showing what is happening in the dark and in the depths as well as how that directly effects and makes possible what is happening above the ground and the colorful leaves and fruit that is growing there too. like the tree we are multidimensional. we are not merely above the ground and we are not solely below it either. these songs are the entire tree. what i’m getting at is that you are the tree🙏🏻 tada!;) draw from the well below the ground, take us there. also, take us above the ground to experience what has been growing, because it’s beautiful. you are beautiful. i really love you all. to write our best stuff it’s gonna require us to be open and create a safe space for each other. i’m personally praying for myself to be open and feel safe in this space with everyone and i’m praying for the same for all of you.
i know we’re all in so many different places with our relationship with the Gardner and or stages of growth. i just hope you know that your story is important, however it’s going and we want to experience it. not anyone story/song will be the entire picture/tree but together they will create that image. your puzzle piece is important and i’m glad you’re here. okay, i’m done. let’s write some freaking great songs.
musical goals
we all know every great song has something that hooks you. so when we say “hooks,” it’s simply that. what keeps you in the song? what makes you have to repeat it? what makes you send it to your friends? write that.
write what you feel is honest, what you’re proud of, and what you’d actually listen to.
push yourself to try new things and what you feel is your best. ask, “can i beat this hook or lyric we just wrote?”
ask, “what would this song be like live?”
1-2 "day 1 demos" from each writing session.
what is a “day 1 demo?”
what is a day 1 demo?
high quality recordings that don’t require “demo ears.” 😇
a high quality verse, pre-chorus, chorus sketch counts as a “demo.”
we don’t want to manufacture the process, but we’d prefer 30+ short sketches that have great hooks to 10 demos with fully built song forms. writing second verses and bridges is way easier to do than writing great choruses and can be done after the camp if needed. but make sure and follow the inspiration in the room and do what is needed for the song.
here are a few examples of fully produced day 1 demos + a piano-vocal day 1 demo from last year’s camp
not a requirement at all, but feel free to base song concepts on specific scripture references or stories and to use specific phrases from scripture if you feel inspired to.
sneaky Jesus
we actually love releasing songs that are not overtly faith-based so that we can reach a wider audience of humans exactly where they’re at.
we also love writing songs that are directly about Jesus.
just letting you know that Kwc’s range is wide and we don’t really fit into a typical faith-based or “Christian” artist box.
optional: “God of the garden” material for your study & inspiration (thanks chat 🤖)
the garden — a picture of redemption
“to plant a garden is to believe in tomorrow.” — audrey hepburn
and antoine de saint-exupéry writes in the little prince: “it is the time you have wasted for your rose that makes your rose so important.”
there's a line often attributed to christine caine that captures some of that: “sometimes when you're in a dark place you think you've been buried, but you've actually been planted.”
“I am the true vine, and My Father is the husbandman.” — john 15:1
“every branch that beareth fruit, He purgeth it, that it may bring forth more fruit.” — john 15:2
ecclesiastes 3:1–13
and that's why i think the garden is one of Christianity's most beautiful metaphors for redemption. God doesn't simply throw away the ruined garden and start caring about something else. He restores it. — chat
biblical arc
there's also a fascinating larger biblical arc: the bible begins in a garden — eden — and near its end returns to imagery of the tree of life and a restored creation. and right in the middle of Christianity's central story, Jesus goes into a garden — gethsemane — before the crucifixion and resurrection.
so the garden can become this incredibly layered metaphor: planting waiting tending pruning dying growing fruit harvest planting again.
which is basically a picture of a human life.
yes. this is one of the most beautiful literary and theological threads running through the bible. once you notice it, gardens, trees, fruit, thorns, seeds, water, and cultivation start appearing everywhere.
at a very high level, you could describe the biblical story like this: a garden is given a garden is lost humanity lives among thorns Christ enters a garden Christ is mistaken for a gardener creation becomes a garden again.
after adam and eve eat from the tree of the knowledge of good and evil, something happens not only to humanity but to humanity's relationship with the earth.
God tells adam: “cursed is the ground for thy sake; … thorns also and thistles shall it bring forth to thee.” — genesis 3:17–18
that's an incredibly powerful image. before: garden. after: thorns.
human beings were meant to cultivate creation, but now cultivation involves pain, resistance, sweat, frustration and death.
and eventually adam and eve are expelled from eden. the way to the tree of life is guarded.
so genesis 3 ends with humanity essentially outside the garden.
3. much of the bible becomes a story about getting back to the garden
this is where the imagery gets especially interesting. immediately before His arrest, Jesus goes to gethsemane.
and there's a fascinating parallel between adam and Christ.
in eden: adam is in a garden. God gives him a command. adam chooses his own will. sin and death enter humanity's story.
in gethsemane: Jesus is in a garden. He faces an unimaginably difficult choice. and He says: “nevertheless not My will, but Thine, be done.” — luke 22:42
that creates a beautiful theological contrast: in one garden, humanity says, in effect, “my will.” in another garden, Christ says, “Thy will.”
paul explicitly develops the adam/Christ parallel elsewhere: “for as in adam all die, even so in Christ shall all be made alive.” — 1 corinthians 15:22
so gethsemane can be understood as part of the great reversal of eden.
5. and then something extraordinary happens with the thorns
remember genesis? because of the fall: “thorns also and thistles shall it bring forth.”
now look at Christ before the crucifixion: “and when they had platted a crown of thorns, they put it upon His head.” — matthew 27:29
the symbol of the cursed ground is literally placed upon Christ's head. whether or not matthew intends us to make every part of that connection, the biblical symbolism is extraordinary: the curse produces thorns. Christ wears the thorns.
and then he's crucified upon a tree — or, as several new testament passages deliberately describe the cross: “who His own self bare our sins in His own body on the tree…” — 1 peter 2:24
a tree played a central role in humanity's fall. and now a tree becomes the place where Christ bears humanity's sin.
john includes a detail that would have been very easy to leave out: “now in the place where He was crucified there was a garden; and in the garden a new sepulchre…” — john 19:41
Jesus is buried in a garden. think about the image. a body goes into the earth. and then life emerges.
Jesus Himself had previously used almost exactly that imagery: “except a corn of wheat fall into the ground and die, it abideth alone: but if it die, it bringeth forth much fruit.” — john 12:24
death becomes seed imagery. burial becomes planting. resurrection becomes new life.
this might be my favorite part. on resurrection morning, mary magdalene is standing near the tomb. she sees the risen Jesus but doesn't recognize him.
john writes: “she, supposing Him to be the gardener…” — john 20:15
on one level, it's simply a completely reasonable mistake. she's standing in a garden. who would you expect to see there? the gardener.
but within the larger biblical story, the accidental symbolism is almost breathtaking. the bible began with God as the one who planted the garden. humanity ruined its relationship with that garden. and now, on the morning when creation begins to be made new… mary looks at the risen Christ and thinks she sees the gardener.
in a sense, she's wrong. and in another sense, she may be seeing something deeply true.
the Gardener has returned. and he's beginning a new creation.
the bible's final chapters deliberately echo genesis. genesis begins with creation. revelation ends with new creation.
genesis has a river flowing through eden. revelation has: “a pure river of water of life.” — revelation 22:1
and then: “in the midst of the street of it, and on either side of the river, was there the tree of life.” — revelation 22:2
there's our tree again. the tree of life from genesis returns.
but there's an enormous difference. in genesis 3, humanity is prevented from reaching it.
in revelation: “blessed are they… that they may have right to the tree of life.” — revelation 22:14
the thing humanity lost in the opening chapters of scripture is restored in the closing chapters.
and there's one final detail i love —
revelation 22 says: “and there shall be no more curse.”
remember genesis 3? “cursed is the ground…”
thorns. sweat. death. exile.
then the final biblical vision says: no more curse.
so you can trace this remarkable movement:
eden — God plants a garden.
the fall — humanity loses the garden. the ground produces thorns.
the prophets — God promises to make the wilderness like eden again.
gethsemane — Christ submits His will to the Father.
the cross — Christ wears the thorns of the curse and dies upon a tree.
the garden tomb — Christ is placed into the earth.
resurrection morning — life emerges from the garden. mary mistakes Jesus for the gardener.
new creation — the river returns. the tree of life returns. humanity has access to it again.
“there shall be no more curse.”
and that's why i think the garden is one of Christianity's most beautiful metaphors for redemption. God doesn't simply throw away the ruined garden and start caring about something else. He restores it.
what was barren can become fruitful. what has been cut back can grow again. what looks buried can actually be planted. wilderness can become eden. and ultimately, the Christian hope isn't merely that human beings escape a broken creation — it is that, through Christ, God makes all things new.
session guidelines
guidelines and principles for making the sessions what? lit.
establish song-based text threads for each group (brydon will establish these threads for each session)
establish and maintain positive energy and chemistry in each room
be fully present during all sessions. as a professional courtesy, only use your phone for writing purposes.
be in the room during the entire session. if you have to leave or can’t make a significant part of a session, please talk to brydon about how to handle it. in most cases, it will be better to wait til the next session to jump in.
brydon will assign a leader for each writing session to ensure a pre-populated google doc (lyric and split sheet) is completed for each song (brydon brett will provide this)
during the morning sessions, focus on creating 2 song sketches (verse, pre-chorus, hook) per room...but the Spirit trumps this rule, so follow the Lord’s flow no matter what session you’re in.
during the afternoon sessions, focus on creating full song concepts...but the Spirit trumps this rule, so follow the Lord’s flow no matter what session you’re in.
don’t sacrifice quality for quantity, but if both quantity and quality are possible and that’s what you’re feeling, make it happen! 💪
hooks are the priority. if you get a bridge and a second verse, great—but don’t let it stall you. every team should aim for a clear concept, strong title, and unforgettable chorus for each demo.
make sure to include heaven in the co-writing.
in the acoustic rooms, a keyboard will be provided. writers are advised to bring their own guitars if they’d like to use them.
what to bring
what to bring and what not to bring
what to bring
any tools you need to write (guitars, journals, laptops, phones, etc.).
open heart & humble attitude – ready to receive, give, and grow
🙏 8:00pm - prayer & leave (or hang if you want to); producers encouraged to finish day 1 demos if you have any steam left
saturday, sep 19 (writing sessions + song share night)
🥞 8:00am - start arriving; breakfast
🙏8:30am - call time for all participants; morning prayer, devotional & housekeeping (writers assigned to gavin’s studio go directly there; do not meet at soularium)
locations, lodging, travel, transportation & points of contact
all the info you need to know about about where to be, how to get there, and who to contact if you get lost.
airline itineraries
you will be responsible for checking in, paying for baggage fees (money to cover this sent ahead of time), and making sure you make your flight. see brydon for your itinerary and any other questions or concerns.
lodging
austin armstrong, you’ll be staying at garon and joseph’s place.
10024 n oak rd w cedar hills, ut 84062
transportation
out-of-towners will have transportation provided.
locals will be expected to carpool or come in their own vehicles
locations
primary camp location: soularium studios
702 s alpine hwy alpine, ut 84004
we’ll be occupying the studio section (please stay out of house) of soularium
secondary camp location: garon & joseph’s crib
10024 n oak rd w cedar hills, ut 84062
other camp location: abe stewart’s joint
3445 n match dr lehi, ut 84043
other camp location: gavin mcmahan’s stude
186 n 590 e vineyard, ut 84059
parking instructions
please see the map below for approved parking instructions
points of contact
brydon brett (camp director) - 417-593-1322
garon brett (Kwc music director and camp co-director) - 417-593-9454
wardrobe
what to wear so you feel comfortable and look good for the cameras. 📸
what to wear in general
swaggy stuff you’d be comfortable being filmed or photographed in since cameras will be rolling pretty much the whole time.
what not to wear in general
no patterns, neons (soft tone neons is fine), or big logos.
food
all the info you need about the real star of the show...the food. 🍔
it’s actually two places - soularium & garons/joseph’s place, but soularium will be writing camp headquarters. see locations for addresses.
should i come prepared with song and hook ideas?
most definitely. but, like any co-writing situation, come prepared to go with the flow and to have your song ideas modified, and to not take it personally if your song ideas are not used at all.
our goal is to get all of the demos finalized and in files before the camp ends. if there is still work to be done after the camp, garon and/or brydon will coordinate that with the individuals needed to complete each of the demos.
will there be split sheets?
yes. splits will be agreed upon and split sheets will be finalized and shared with all writers by the end of the camp or soon thereafter.
can we capture content and post to our socials?
yes and please! we will share a photo album you can upload your pics and videos to.
is childcare provided for this camp?
the King will come cannot currently provide childcare services but we are fully aware of the need for coordination of this vital element. in cases where you are not able to coordinate this need for yourself, please reach out to brydon to strategize. thanks!
wi-fi info
gotta have it!
unfortunately, the wi-fi connection at soularium is a little weak. we need to prioritize the producers having access for sample downloading and not tax the bandwidth. if you absolutely need it, let brydon know. otherwise, stay on that data baby. 🙏